I believe that the most important concept to a film's success is its film score. Without music to properly capture the suspense, excitement, and mood of the story, audiences would never resonate with the emotions of the film. For our film, we wanted the last 30 seconds to include a powerful music score. The music would take place after the two detectives wrestle on the ground and highlight the mystery of who shot who. As the camera pans up at the tress, I wanted a song that captures the peacefulness of the treetops while still being a little mysterious. As the camera pans up to reveal that Detective Reynolds survives, the screen will cut black and the credits will be shown as the music still plays. The music should be able to show the audiences shock and resolution with the plot. Searching for music is harder than talking about it. I knew that there was no way of getting a popular song with royalties in our film. Because of this, I started to look...
Day 2 of filming occurred on Wednesday, February 28. Zane, Jason, Zeyn, and I all met up at Zane's house to finish filming. First, we had to finish the car scenes before we moved to the scenes in the park. I stood outside while they drove past me to get the establishing/wide shot. Then I went inside the car to film the dialogue scenes between the two detectives. At one point, Zane had to hold the camera himself to film Jason because we needed a medium shot of just Jason, and I can't position myself to film that from the backseat. Once I was done with the car scenes we parked the car in the park. I once again got out of the car and started filming from the ground while Zane parked the car for the shot and ran out. This shot where the detective chase starts took some coordination as the car has to park first, then detective Reynolds runs out, then detective Hoffman runs out. The next set of scenes includes the detective running, which Jason co...
Scene 1 ( we open in a candle lit living room . A URELIA is lighting a candlestick and YAG A is f ixing the room) A URELIA What a splendid day. Better than most. YAGA * Creature sound that AURELIA seems to un derstand* AURELIA That is exactly why it is better than most. Two Hundred Eighty-Six Years . O h isn’ t it exciting! YAGA *Nods in agreement* AURELIA Although... I haven’t seen Mara all day. And usually, she wishes me good evening. Unless... No. Mara could not have. (AURELIA doubts her lovers commitment ) AURELIA But what if she has. There was that period in the twenties where she... ...
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