We will need a few different sets of props per scene. For the first scene, in order to decorate the space, we will need Elena’s fake skull, black candles, candle holders, old books, a chess set , a small bust, and other antique-like objects. This style of props will work best for a house of vampires that have been collecting antiques for hundreds of years. For the second scene we will need a fake knife, fake blood, a rose, and a ring. It is important that the ring is gold and the knife is silver because silver burns vampires. For the third scene we will use an old chalice and Sophies ya cht. This old chalice will be used to hold “ vampire killers’ blood” as Mara and Aurelia waltz on the yachts deck. For Aurelias costume, Sophie will wear a black skirt, cream button down, and a long, black vest. The vest is flowy and creates a Victorian style silhouette which is very on brand for a vampire. She will also put part of her hair in a...
1. What titles are displayed during the opening sequences? The titles displayed in the sequence were directed by, written by, produced by, executive producer, director of photography, production designer, film editor, costume designer, music by, sound designer, visual effects supervisor, casting by, the lead actresses and actors' names, name of production company and studio, and “A Guillermo Del Toro Film ”. 2. What images are prioritized in the opening sequence? Moths, old painting with ornate frames, old photographs, a red ring, a decorative tea kettle and cup set, desks with calligraphy pens and blueprint like paper, a desk of a doctor, and an old Victorian-like house. An interesting image that is shown appeared when a female actresses name came up and a blue butter fly was shown instead of a moth. This could represent an important distinction between a character of plot point. Several of these objects play an important role in t he movie , whether ...
I enjoyed the video. Despite delving into the intricate details of dark and chaotic scenes, the narrator's calming voice stood out. "Le Jetee" truly emphasises the significance of a film score. Although initially labelled as a photo novel, it marked the shift from photo novels to stop motion films. This psychological thriller unfolded through a series of black and white images, yet maintained a coherent narrative. "12 Monkeys" attempted a similar storyline but couldn't capture the poignant essence of the heart-wrenching photo novel. This experience serves as a reminder that every shot contributes to a story – angles, lighting, and sounds elevate it to a higher level. The decision to read an article reinforced my agreement with the author's comments. Both films share a plot, with "12 Monkeys" paying homage to Le Jetee but incorporating innovative techniques for a fresh perspective. It was a beautiful tribute to Chris Marker's brill...
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